backCV

born:

London, 1970
Lives and works in New York/Berlin

education:

Cheltenham School of Art, Gloucestershire, UK
Southend School of Art, Essex, UK

One-Person exhibitions:

2011
Von Bartha Garage, Basel
Von Bartha Gallery, Chesa
2010
Andreas Grimm Gallery, Munich
Kuttner & Siebert, Berlin
2009
CCNOA, Brussels, Belgium
Vous Etes Ici, Amsterdam
EY5, Dusseldorf
2008
Kuttner Siebert, Berlin, Germany
Andreas Grimm, New York
PS, Amsterdam
2007
Hammer Projects, Los Angeles, CA
Grimm Rosenfeld, Munich
2006
Aschenbach & Hofland, Amsterdam, Holland
Kuttner & Siebert, Berlin, Germany
2005
Start to Finish…Konsortium,Dusseldorf, Germany
2003
Gas, Riva Gallery, New York
Karioka Color, Paintbox Extensions, Copenhagen, Denmark
Riva Gallery, Project Space, New York
2001
Air Condition, Alexander de Folin Gallery, New York
2000
Welcome Home, Flat Gallery, New York

Group Exhibitions:

2011
“FROM BERLIN” Martin Asbaeks, Copenhagen
“CRISP & SHOUT” Kant Gallery, Esjberg
“SPACE ODDITY” CCA Andratx, Mallorca (curated by Frederike Nymphius)
“ABSTRACT CONFUSION” b05 – Kunst- und Kulturzentrum Montabaur
(curated by Christian Malycha) travels to the following:
Kunstverein Ulm,
Städtische Galerie Gladbeck,
Kunsthalle Erfurt
“ENTHUSIASMOS” Cosar HMT, Dusseldorf
“E T R O P I A” Philara-Sammlung zeitgenössischer Kunst, Dusseldorf

2010
‘BIG NEW FIELD’ Dallas Museum of Art, Dallas (curated by Charlie Wylie)
‘FAINT TO BLACK’ henningsen contemporary, Copenhagen
‘GROUP SHOW’ Arratia Beer, Berlin (curate by Arturo Herrera)
‘UND#6’ Schwartz Gallery, London (curated by Tilman, Billy Gruner, Jan van der ploeg)
‘ESEMPLASTICISM: THE TRUTH IS A COMPROMISE’ Berlin. (curated by TAG)
‘BERLIN BOX’ Kunsthalle Andratx / CCA, Mallorca. (curated by Friederike Nymphius)
‘PICTURES ABOUT PICTURES’ Museum Moderner Kunst, Vienna (curated by Renate
Wiehager)

2009
‘ZEIGEN’ Audio tour, Temporare Kunsthalle, Berlin. (curated by Karin Sander)
‘MULTIPLE SHOW’ Vous etes ici, Amsterdam
‘AXIS BOLD AS LOVE’ Forgotten bar, Berlin
‘IF YOU FAKE THE PLANE YOUR NOSE WILL GROW’ Kuttner Siebert, Berlin
‘BANK OF EDEN’ Whitechapel, Berlin
‘PRIVATE VIEW II’ Andreas Grimm, Munich
‘POINT OF VIEW’ Kuttner Siebert, Berlin
‘MAXIMAL MINIMAL’ Andreas Grimm, Munich
‘CONNECTED THINGS COLLECTED’ Sammlung Haubrok, Berlin. (curated by Jonathan Monk)
‘UNLIKELY’ Kunstverein Konstanz, Germany
‘PS 1999-2009’ Kunstruimte 09, Amsterdam, Netherlands

2008
‘YO, MO MODERNISM’ CCNOA, Brussels
‘SOMETHING AND SOMETHING ELSE’ Museum Vanbommelvandam, Netherlands.
Curated by Claudine Hellweg
‘Minus Space’ P.S.1 Long Island, New York. Curated By Phong Bui
‘Roundabout’ Berlin, Germany. Curated By Malene Landgreen and David Rhodes
‘You Said He Said She Said’ Seiler + Mosseri-Marlio Galerie, Zurich, Switzerland
‘Teaching An Old Dog New Tricks’ Den Frie Udstillingsbygning, Copenhagen, Denmark
(curated by Tine Colstrup & Lars Christensen)
‘Summer show’ Andreas Grimm, New York
unlikely,W139, Amsterdam, Holland (curated by Leo de Goede)
unlikely, Städtische Galerie Waldkraiburg, Germany (curated by Leo de Goede)
machine learning, Gallery Sonja Roesch, Houston, Texas
‘gegenstandslos’ Gesellschaft für Kunst und Gestaltung, Bonn

2007
Stripes & Stars, Haubrok, Dusseldorf
unlikely, Galerie Kienzle & Gmeiner, Berlin (curated by Leo de Goede)
machine learning, Boyden Gallery, St. Mary’s College, Maryland (curated by Mathew Deleget)machine learning, Painting Center, New York

2006
WHITE OUT, Konsortium, Dusseldorf
Carbonic Anhydride, Max Hetzler, Berlin
Group Show, Zieher & Smith, New York (curated by Douglas Mellini)
Gimme Shelter, Shelter Island, New York (curated by Megan Riley)
I Am Yours Now, Sikkema & Jenkins, New York , (curated by Arturro Herrera)
Neo Plastic Redux, Elizabeth Harris Gallery, New York, (curated by Miles Manning)
I’m not here, this isn’t happening, Grimm Rosenfeld, New York
Summer show, Grimm Rosenfeld, Munich, Germany
Public Project , 10 artisits, Dusseldorf, Germany (curated by Konsortium)

2005
lAAX, Hollywood, CA
Incognito, Santa Monica Museum of Art, CA
Painting Matters,Kuttner & Siebert Galerie, Berlin, Germany
Paradigm Arts, New York
Autopilot, Halle 29, Dusseldorf, Germany (curated by Konsortium)

2004
Stop & Store, Luxe Gallery, New York
Incognito, Santa Monica Museum of Art, CA
Hard & Soft, M Thatcher Projects, New York
Art House, M Thatcher Projects, New York

2003
The Peripheries become the Center, Prague Biennale, Czechoslovakia
(curated by Laurie Firstenberg)
Lightshow, 325 Gold street, Brooklyn,New York
Born Design, ICFF, New York
Flair, Heather Marx Gallery, San Francisco, CA
Lightbox, Toniq Strategics, New York

2002
Now More That Ever, Melbourne, Australia
Painting as Paradox, Artist Space, New York (curated by Laurie Firstenberg)

2001
Best of Season, Aldrich Museum, Connecticut
Ground Zero, lafayette st, New York
Paradise, 33 rector St, New York

1999
Natwest Art Prize, London, UK
X4 Alexandre de Folin, New York
Networking, Konstakuten, Sweden
Networking, Shibuya-ka, Tokyo
Networking, Seoul, Korea

1998
A4’ Sali Gia, London, UK
Show Me The Money, 1,2, Dukes Mews, London, UK
Open Studio, Bonner Road, Bethnal Green, London, UK

1996
Victoria Park Square, Bethnal Green, London, UK

1994
Outpost, Venice Biennale, Itlay

1993
Outpost, 100 Artists, Edinburgh, Scotland
Adsite, Aldwych circus, London, UK
Bricklane Open, Heritage Centre, London, UK
Domestic Incident, Sheffield, UK

1992
Freshart, Islington Design Centre, London, UK

Grants and Awards:

2011
CCA Andratx, Mallorca

2009
For-Site foundation Award

2003
John Anson Kittredge Grant
National Workshop for the Arts, Denmark
British Council , Exhibition Grant

2002
Mac Dowell Colony, New Hampshire
Jean and Louis Dreyfus Foundation Fellowship
British Council, Exhibition Grant

1999
Natwest Art Prize, London, UK

1990
Cheltenham & Gloucester Travel Grant

Publications:

2011
“Abstract confusion” Kerber
“Von Bartha 2010/2011 Yearbook
“Insite out”, Allianz

2010
Dallas Cowboys, Contemporary Art
‘BIG NEW FIELD’ Dallas Museum of Art
‘Esemplasticism: The Truth is a Compromise’ Berlin. (curated by TAG)

2009
Hammer Museum, 10 years of Hammer projects
‘Zeigen. An Audio Tour through Berlin’ Temporary Kunsthalle, Berlin.
(curated by Karin Sander)

2008
Minus Space, PS1
‘Something And Something Else’ Museum Vanbommelvandam,
‘Teaching an old dog new tricks’ Copenhagen
‘Unlikely’
‘Munich Re Collection’ London

2007
Hammer Projects, Hammer Museum
White Out, Konsortium
Unlikely
Machine Learning

2006
Daimler Chrysler Collection
Autopilot, Konsortium
Carbonic Anhydride, Max Hetzler Gallery

2003
Paintbox Extensions
Prague Biennale 1

2002
Painting as Paradox

1999
Natwest Art Prize

1995
Experience, Published by Booth-Clibbons Editions

1994
Domestic Incident

Selected Lectures

Tyler University, Philidelphia

Commissions:

Hoofddorp Cultrual Centre, Haarlememmeer, Holland

Dallas Cowboys Stadium, Texas

Kohlberg Kravis & Roberts, Menlo Park, San Francisco

Munich Re, Plantation House, London

Private Collection, San Diego

Sammlung Haubrok, Dusseldorf

Bibliography:

1994
Domestic Incident, Sheffield. (cat.)

1995
Experience, Published by Booth-Clibbons Editions, London. (cat.)

1999
Marlow, Tim, Natwest Art Prize, London. (cat.)

Burton, Jane, “Wall to wall talent,” Metro (London) May 15 – 21, illus.

Mullins, Charlotte, “Suited and Muted,” Daily Telegraph (London)

The Guide, “Exhibitions: Nat West Art Prize” The Guardian (London) May 15 – 21, p.3, illus.

“Artist in the money” Waltham Forest Independent (London) June 17, illus.

Coomer, Martin, “1999 Nat West Art Prize,” Time Out (London) June 16 – 23, p.45

Searle, Adrian, “Withdrawal Symptoms,” The Guardian (London) June 17

“Natwest Art Prize Finalists” Artnet News April 28

2000

Dawson, Jessica, “Sign, and blinds, Of the Times,” Washington Post, December 28, illus.

2001
Smith, Roberta, “Art Review,” New York Times, June 1st

2002
Firstenberg, Lauri, “Painting as Paradox,” Artist Space, New York. (cat.)

Sundell, Margaret “Life after death” Time Out (New York) November 21 – 28, p. 87

Saltz, Jerry “Painting a la mode” Village Voice (New York) December 4 – 10

2003
Campau, Ruth, Mork, Michael. (ed.) “Paintbox Extensions,” Copenhagen. (cat.)

Politi Giancarlo. (ed.) Prague Biennale 1, National Gallery, Veletrzni Palac, Prague. (cat.)

Bagner, Alex, “sweet inspiration” wallpaper magazine, may 2003, illus.

Cecile Hogsboro, “Hvor kunst slar over I design – eller omvendt” Information (Copenhagen) 17 September, illus.

Levin, Kim, Village Voice, (New York) March 5-11, p.100

Skjodt, Mette, “Provokerende Terry Haggerty,” Oestrogen, Kultur & Kunst (Copenhagen) September 22, illus.

2004
Price, Mat ,“Mixed Paint,” Flash Art, November – December, illus.

2005
Meister, Helga, “Der Computer weib, wohin die Reise geht,” Dusseldorf Kultur (Dusseldorf) July 26, p. 19

Milz, Ananda, “Schwerelose Flug durch den Raum,” Kultur-Tip, Rheinische Post (Dusseldorf) September , illus.

2006
Wiehager, Renate. “Minimalism and After,” Daimler Chrysler Collection. (cat.)

Muench, Guido, Autopilot, Konsortium, Dusseldorf. (cat.)

Rulffes, Evke, “Carbonic Anhydride,” Max Hetzler Gallery, Berlin. (cat.)

Barzini, Chiara, “Quelo del Visto 01,” Flair (Italy) 0ctober, illus.

Johnson Smith, “I’M NOT HERE THIS ISN’T HAPPENING” New York Times (New York) July 14

Cohen, David, “Yours Until the Walls Come Down,” The Sun, Gallery-Going (New York) August 10

Kerr, Merrily, “I’m Yours Now,” Time Out (New York) July 27

The New Yorker, “I’m Yours Now,” August 10, 2006

Latchin, Leila, “Cool and collected,” Wallpaper, June – July, illus.

Clewing, Ulrich, “Wohin wachsen die Berliner Galerien? Eine Hetzler-Ausstellung zeigt Größe,” DER TAGESSPIEGEL (Berlin) 28 November

“N & U a work by Terry Haggerty,” amNY.com (New York) August 8

Villasmil, Alejandra, “Reviews – I’m Yours Now” Arte al dia internacional, August 15

2007
Meschede, Friedrich, “Terry Haggerty; Hammer Projects” Hammer Museum, Los Angeles. (cat.)

Muench, Guido, (ed.) White Out, Konsortium, Dusseldorf. (cat.)

Zipfel, Mario, Die Welt Kunstmarkt (Germany) June 23

“Installation: Terry Haggerty’” wallpaper.com August

Hatch, Brad, “Terry Haggerty; Munich Re” The Boss (Sydney) October

Diaz, Karla “James Elaine, using the museum as a lab” Beautiful/decay, issue U 2007

Goodrich, John, “Intelligent Design” The New York Sun, December 27th

2008
Alvarez, Olivia Flores “ Machine Learning: Brown, Haggerty, Hsiao, & Melini” Houston Press, March

Baker, R.C “Best in Show” Terry Haggerty, Village Voice, April 22nd

Zhong, Fan “The Replicants” Surface Magazine, July

Koch, P, “Op goes minimal” Terry Haggerty, von hundert 06, July