DANIEL ROBERT HUNZIKER

It's never been this close before
Nov 17 – Jan 20 2018
von Bartha, Basel

IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel
Void, 2017 Print Dimensions variable
Twine 17/III, 2017 Spruce, acrylic varnish, smoked oak, glass 98 x 69 cm
IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel
Twine 17/IV, 2017 Spruce, acrylic varnish, smoked oak, glass 130 x 170 cm
IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel
IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel
Layer, 2017 Objet trouvé arrangé Dimensions variable Site specific
IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel
IT’S NEVER BEEN THIS CLOSE BEFORE Exhibition view, 2017 von Bartha, Basel

Known for his special relationship with space and architectonic practices, Hunziker’s work uses structures and configurations to reveal visions, or fractions, of reality. At von Bartha, the artist transforms the gallery into a parcours – creating new, surprising spatial references, merging object and sculpture, and enabling opportunities for chance-encounter and discovery. The exhibition title It’s never been this close before can be seen as a reference to the ongoing search for knowledge – one may get close, but will never fully possess it. The complex installation dissolves the boundaries of the gallery space, subsequently removing the border between artwork and visitor.

Hunziker’s artistic practice is often guided by moments of discovery; during the artistic process the artist wanders through spaces, documenting their iconic characters and ‘objets trouvés’, which, in turn, become the starting point for his works. In doing so, he pursues a problem-solving model of perception-finding. This systematic process of collecting, compiling and sorting allows the artist to fully internalize his surroundings. In doing so, Hunziker can be likened to the ‘flaneur’, a wondering figure in need of knowledge.

In his work, Hunziker often questions how we perceive and appropriate knowledge from objects presented in formal displays and exhibitions. Past works have seen Hunziker position weathered stones (commonly found in parking areas to prevent cars rolling forwards) or frayed branches, inside cubes reminiscent of vitrine displays. Repositioning the vitrine as sculptural object, Hunziker comments on our viewing patterns and the object as an instrument of knowledge.

Adapted from the artist text written by Stefan Wagner