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Bartha",{"content":46},"Kannenfeldplatz 6\\\nCH-4056 Basel\\\n[+41 61 322 10 00\\\ninfo@vonbartha.com](mailto:00%EF%BF%BCinfo@vonbartha.com)\n\nRegular Gallery Opening Hours:\\\nTuesday–Friday: 2–6 pm\\\nSaturday: 11 am–4 pm\\\nSunday and Monday: closed or by appointment\n\nFree Admission to all Exhibitions\n",{"content":48},"Sturlasgade 12G\\\n2300 Copenhagen S\\\nDenmark\\\n[+45 31 44 48 25](mamie@vonbartha.com)\\\n[mamie@vonbartha.com](mamie@vonbartha.com)\n\nOnly by appointment\n",{"content":50,"id":53},{"name":51},{"content":52},"smileyweiss1-b-dd5022f6.svg","01KT6HX4X2WKKVNMJ9BEPJHYA6",{"content":55},false,{"content":57},"Art is Awesome",0,[],{"item":61,"alternates":205},{"title":62,"path":63,"template":64,"i18n":65,"content":67,"sorting":204},"Terry Haggerty 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Featuring three series of new large-scale works, it runs from 8 September – 27 October 2018 at von Bartha’s Basel space.\n\nExpanding the boundaries of abstraction, Haggerty creates his own distinct visual language through the exploration of form and perception. He translates natural forms, man-made objects, and ambiguous shapes into engaging compositions that oscillate between flat and dimensional space. Using simple colour combinations, he stretches the picture plane beyond view, exploring both visible and invisible space. Through the confines of an outlined shape, multiple angles of seemingly contradictory form are viewed from a single viewpoint.\n\nIn a departure from his previous works, Haggerty reduces – at times completely eliminates – any linear composition to reveal basic structural and sculptural forms that explore concertinas, loops and negative space. Cut-out areas and ‘zig-zag’ shapes uncover both positive and negative elements that define the varying contradictory structures in a dynamic way. Appearing impossible to the eye – in asserting a spatial presence, yet distorting illusory perceptions – these almost architectural objects provoke new ways of experiencing three-dimensionality.\n\nProduced with machine-like perfection, acrylic surfaces are painted on shaped wooden panels devoid of any mark-making and brushstrokes. By making these contradictions between process and application, painting and object, Haggerty forces us to question our fundamental preconceptions of medium and form.",{"content":189,"id":197},{"keywords":190,"description":192,"image":194,"title":196},{"content":191},"Terry Haggerty, von Bartha, Paintings",{"content":193},"Description",{"content":75,"id":195},"01JQXJC8YF8F8X23KQDDZ798GN",{"content":174},"01M6RQXPJ311DAHVRZJY6Y8YFF",{"content":199},[],{"content":201},"TERRY 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6, 2026 to Jan 9, 2027\n\nWe warmly invite you to the opening on Friday, November 6, 2026, from 6 to 8 pm.\n",{"content":245},"01M3S90PD1Y87PD506HRAPA61F",true,{"id":248,"content":249,"isHidden":246},"01M4XE0T52RAEZVW78K3CSA2ZJ",{"addToCalendar":250,"colors":258,"title":265,"description":267,"id":268},{"content":251,"id":257},{"showAddToCalendar":252,"startingDate":253,"endingDate":255,"location":256},{"content":55},{"content":254},1791989147819,{"content":254},{"content":174},"01M4XE0T57JTGDGZD0C7H9BJQD",{"content":259,"id":264},{"backgroundColor":260,"textColor":262},{"content":261},"rgb(255, 54, 57)",{"content":263},"rgb(58, 0, 0)","01M4XE0T58XRWTG44Y0R99WSMJ",{"content":266},"Landon 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2026\n",{"content":293},"01M2N1GJ6SEHB08C3028SF3EME",{"id":295,"content":296,"isHidden":246},"01M255F2EQT4B9BPX97P1K553Z",{"addToCalendar":297,"colors":306,"title":313,"description":315,"id":317},{"content":298,"id":305},{"showAddToCalendar":299,"startingDate":300,"endingDate":302,"location":304},{"content":55},{"content":301},1789027387871,{"content":303},1789027387872,{"content":174},"01M255F2EWGTPD8N5X5P2EXGYZ",{"content":307,"id":312},{"backgroundColor":308,"textColor":310},{"content":309},"rgb(0, 56, 241)",{"content":311},"rgb(255, 220, 220)","01M255F2EX0J4CFNSY5WSWS7A0",{"content":314},"Andi Fischer: Ship of Fools – umherirren",{"content":316},"Come by until October 24, 2026!\n",{"content":318},"01M1K7XZNF4MGEVGWEEAS1C0XX",{"id":320,"content":321,"isHidden":246},"01KZTGR10M5345ZR016M9CFHMQ",{"addToCalendar":322,"colors":330,"title":337,"description":339,"id":340},{"content":323,"id":329},{"showAddToCalendar":324,"startingDate":325,"endingDate":327,"location":328},{"content":55},{"content":326},1786522633244,{"content":326},{"content":174},"01KZTGR10RZBHV7SPS37SDQ6T9",{"content":331,"id":336},{"backgroundColor":332,"textColor":334},{"content":333},"rgba(178, 191, 200, 1)",{"content":335},"rgb(255, 104, 245)","01KZTGR10SP97TM0JQ7VA2QHYN",{"content":338},"Francisco Sierra: Bijna een vlinder",{"content":316},{"content":341},"01KTXA0Z510T6YY38CJJ7Z2SA9",1,[],{"items":345},[346],{"title":347,"path":348,"template":349,"i18n":350,"content":351,"sorting":538},"Terry Haggerty","\u002Fen\u002Fartists\u002Fterry-haggerty","artist",{"language":9,"id":94},{"title":352,"name":353,"website":354,"representing":356,"cv":357,"image":362,"previewImage":367,"textblock":372,"artistGallery":374,"links":501,"externLink":518,"meta":521,"tags":534,"additionalFiles":536,"credits":537},{"content":347},{"content":347},{"content":355},"http:\u002F\u002Fwww.terryhaggerty.org\u002F",{"content":246},{"content":358,"id":361},{"name":359},{"content":360},"cv_terry_haggerty-baa39447.pdf","01KC1725PZC190NXKWVMRC368X",{"content":363,"id":366},{"name":364},{"content":365},"2019+11+DSC0050-1.jpg","01JQXJC9993MJ1X1KEF25AGQT4",{"content":368,"id":371},{"name":369},{"content":370},"2019+11+VonBartha_20190524_DSC7327_cBen_Koechlin.jpg","01JQXJC99915NNKK7RWZVJD8E0",{"content":373},"b. 1970 in London, England \u002F Lives and works in Eugene, USA\n\nTerry Hag­gerty was born in Lon­don and stud­ied at the Chel­tenham School of Art, Glouces­ter­shire. He has exhib­ited widely at gal­leries and muse­ums around the world, includ­ing Sikkema Jenk­ins, New York; Max Het­zler, Berlin; Ham­mer Museum, Los Ange­les; Aldrich Museum, Conecti­cut; and PS1, Long Island City. Com­mis­sions include wall draw­ings for Dal­las Cow­boys Sta­dium, Munich Re, Lon­don, and pri­vate col­lec­tions in the US and Ger­many. Hag­gerty is the recip­i­ent of sev­eral awards includ­ing the For-Site foun­da­tion Award, John Anson Kit­tredge Award; and the Natwest Art Prize. The concept of the trompe-l’oeil; the interplay between reality and illusion, has always fascinated artists. In this way, with the simple gesture of curving lines, Haggerty is able to create complex illusions, garnering both volume and depth. The artist carefully considers ambiguous forms and likenesses, to familiar indicators of space such as ledges, edges, corners and gaps. Nevertheless, the viewer is not only drawn to Haggerty’s paintings as a result of the suggestion of plasticity, but also owing to their cool, smooth, machine-like surface perfection.\n",{"content":375},[376],{"id":377,"content":378},"01JQXJC9991WJ7NHN5MGT7BWFD",{"blocks":379},{"content":380},[381,391,401,411,421,431,441,451,461,471,481,491],{"id":382,"content":383,"type":128},"01JQXJC9992FYSJ17BNFRNN9EZ",{"image":384,"caption":389},{"content":385,"id":388},{"name":386},{"content":387},"2023+12+140A0408-kopier.jpg","01JQXJC99934JGSFVBHDWY2SY1",{"content":390},"Terry Haggerty in front of his work\\\n*Alone together*, 2023",{"id":392,"content":393,"type":128},"01JQXJC999GCHJM06DZE5M769B",{"image":394,"caption":399},{"content":395,"id":398},{"name":396},{"content":397},"2019+11+CF021224.jpg","01JQXJC999D7VDWGP3R9160REQ",{"content":400},"*fondant scale*, 2022\nAcrylic on canvas\n170 x 130 cm",{"id":402,"content":403,"type":128},"01JQXJC999K51R463C31CGT1SK",{"image":404,"caption":409},{"content":405,"id":408},{"name":406},{"content":407},"2019+11+140A0335-kopier.jpg","01JQXJC9992TPPJC58ZZ00RA0F",{"content":410},"*One way, return*, 2023\nAcrylic on canvas\nDiptych, 80 x 65 cm each",{"id":412,"content":413,"type":128},"01JQXJC999FBSN90X0QRGCAPV9",{"image":414,"caption":419},{"content":415,"id":418},{"name":416},{"content":417},"2019+11+140A0516.jpg","01JQXJC999YZZSF3SVB5EQ1RV6",{"content":420},"Site-specific installation at von Bartha, Copenhagen, 2023\\\nVinyl on glass",{"id":422,"content":423,"type":128},"01JQXJC999DV52D1CYF5TW1ENZ",{"image":424,"caption":429},{"content":425,"id":428},{"name":426},{"content":427},"2019+12+VB_Terry_Haggerty_2018-0695.jpg","01JQXJC999SJ6PK7G5G057TYSQ",{"content":430},"*Trouser press, 2018 & Viaduct*, 2018\n\nInstallation view\\\nvon Bartha, Basel, 2019",{"id":432,"content":433,"type":128},"01JQXJC999WK560PZFBZDAWV1T",{"image":434,"caption":439},{"content":435,"id":438},{"name":436},{"content":437},"2019+11+Terry_Haggerty_2015-0155.jpg","01JQXJC999YRDE0NXJRVHR8AEJ",{"content":440},"Left side drop, 2015\nAcrylic on wood panel\n180 x 120 cm",{"id":442,"content":443,"type":128},"01JQXJC999B5FG1QGY36Z0821C",{"image":444,"caption":449},{"content":445,"id":448},{"name":446},{"content":447},"2019+11+Terry-Haggerty_VON-BARTHA_2021_11_MidRes.jpg","01JQXJC999R7ASYCJNXTF6FKJN",{"content":450},"*Skew wiff*, 2020\nAcrylic on steel\n80 x 68 cm",{"id":452,"content":453,"type":128},"01JQXJC9991R863XEZVMC2564Y",{"image":454,"caption":459},{"content":455,"id":458},{"name":456},{"content":457},"2019+11+DSC_2459_1.jpg","01JQXJC9997PRX3AHPQGKAN1SX",{"content":460},"Cut away, 2019\nAcrylic on wood\n150 x 65 cm",{"id":462,"content":463,"type":128},"01JQXJC999S4NRAWKPG4M4GZX8",{"image":464,"caption":469},{"content":465,"id":468},{"name":466},{"content":467},"2019+11+TerryHaggery_S-Chanf_DSC9270_web_cBen_Koechlin.jpg","01JQXJC999HY43WN4436XGJ46A",{"content":470},"Part II, 2016\n2 pac\u002Fpowder coat on aluminum\n49 1\u002F4 x 62 5\u002F8 x 6 1\u002F4 in\\\n125 x 159 x 16 cm",{"id":472,"content":473,"type":128},"01JQXJC99957085BY511KDW5WG",{"image":474,"caption":479},{"content":475,"id":478},{"name":476},{"content":477},"2019+11+Madrid_O-18_TH18.jpg","01JQXJC999YNDGN4X0TYZZWR69",{"content":480},"O-18, 2018\nAcrylic and colored pencil on graph paper\n28 x 21 cm",{"id":482,"content":483,"type":128},"01JQXJC999TRPFPJ548405DJGB",{"image":484,"caption":489},{"content":485,"id":488},{"name":486},{"content":487},"2019+11+Terry_Haggerty_2015-0174.jpg","01JQXJC999D9RM2ZQ1RQR1M6WZ",{"content":490},"angular momentum, 2015\nacrylic on wood panel\n119 x 164 cm",{"id":492,"content":493,"type":128},"01JQXJC999YYRFCF50GZEGWPDV",{"image":494,"caption":499},{"content":495,"id":498},{"name":496},{"content":497},"2019+11+DSC0050.jpg","01JQXJC999YC7HSPR9PC0Z2785",{"content":500},"Untitled, 2012\n\nInstallation view\n\nvon Bartha, Basel",{"content":502},[503],{"id":504,"content":505},"01JQXJC999MWMZQ6VQYEWSNYJW",{"blocks":506},{"content":507},[508],{"id":509,"content":510},"01JQXJC999AH4DHM70R1PEKKF3",{"text":511,"page":513,"file":515,"url":516,"downloadName":517},{"content":512},"Story",{"content":514},"01JQXJC8C22DDH90MWG6YNFP34",{"content":75},{"content":174},{"content":174},{"url":519,"text":520},{"content":75},{"content":75},{"content":522,"id":533},{"keywords":523,"description":525,"image":527,"title":532},{"content":524},"Terry Haggerty, Basel, S-chanf, contemporary, zeitgenössisch, Kunst, Art, OP Art, Op-Art, trompe-l’oeil, reality, illusion, painting, sculpture",{"content":526},"The concept of the trompe-l’oeil; the interplay between reality and illusion, has always fascinated artists. In this way, with the simple gesture of curving lines, Haggerty is able to create complex illusions, garnering both volume and depth. The artist carefully considers ambiguous forms and likenesses, to familiar indicators of space such as ledges, edges, corner and gaps. Nevertheless, the viewer is not only drawn to Haggerty's paintings as a result of the suggestion of plasticity, but also owing to their cool, smooth, machine-like surface perfection.",{"content":528,"id":531},{"name":529},{"content":530},"2019+11+T-HA-3082.jpg","01JQXJC999G0J246S9QT89SDZ9",{"content":174},"01KC17173ANZ8Z6JVWFGQYKM0F",{"content":535},[],{"content":75},{"content":174},23,1794218799294]